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St. Francis of Assisi is a saint much beloved by Catholics, but also by Protestants of every stripe. His was a message of poverty, chastity, and obedience; his was, indeed, a message of simple but fervent love for God, neighbor, and all creation. His commitment to nature and the animals strikes a particular chord with our generation, I think.
Unfortunately it's a three hour train ride from Rome to Assisi, so I had to pull myself out of bed nice and early at 5am to catch the train forty-five minutes later. Somehow I managed to do it after only three good hours of sleep, and I was off to one of the central pilgrimage sites of Europe.
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From there I walked downhill to the Church of Santa Maria sopra Minerva (yes, the same name as the one in Rome; they really liked to show that the Blessed Virgin is better than the Mother Goddess, didn't they?). Unlike the one in Rome, however, the church is still obviously a pagan temple; it has the typically pagan columns with a triangular pediment, but with the steeple stuck on the side.
Then came the climax of the walk: the Basilica of
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The basilica contains numerous fine examples of art by Giotto, a major figure who first left the standards of medieval Christian art- two dimensional and emotionless- and added both dimension and character to his art. His work is beautiful, although commentaries on it often come with an unfortunate negative portrait of medieval and Byzantine art. Earlier iconography is portrayed as primitive or unconcerned with art. I disagree; they were concerned with using images that did not represent reality strictly in order to discover a deeper reality. And, of course, there were theological reasons (at least in the East) to stray away from three dimensional portrayals that smelt of idolatry. That said, I love Giotto, and I can't help but agree on at least the point that the emotion of his figures is a true step forward toward the Renaissance.
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Three and a half hours after leaving the basilica, I finally arrived- via multiple connections and a bit of backtracking by bus- in beautiful Siena. I wasn't quite taken with it the way I was taken with Assisi. Assisi is entirely the old town, with no new town to speak of'; Siena has a historic core, but at the edges turns quite modern. However, the historic core is something people see once and fall in love with, and I did.
The main reason to go to Siena is to see the hometown of St. Catherine of Siena, the medieval
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Her home has also been preserved as a chapel with windows looking in to sections that remain as they were in her day. It was interesting, to me, to walk through the home of a saint, something I don't believe I've ever done. How, after all, did these examples of life in Christ live day to day?
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Unfortunately, its chapel designed by and adorned with sculptures by Bernini was closed for renovation. A Michelangelo sculpture of St. Paul was visible, though, as well as some beautiful frescoes in the library.
I can't emphasize enough, though, that it was less the sites at either place that impressed me than the feel of the towns themselves. Assisi was getting ready to have a medieval and renaissance fair that would last through the weekend; Siena is characterized by a friendly (sometimes unfriendly) rivalry between its fourteen [double check] neighborhoods, all of which have their own flag. The brick architecture and winding lanes of these hilltop Umbrian and Tuscan towns is something to just fall in love with, and I look forward to spending a more leisurely day and night in each some time in the future.
Well, I had to take a bus back to Rome, and that
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It was certainly nice to get away from Rome for a day and see a bit more of small town Italy. But the following two days it was back to the tourist grind: the great Christian centers of Pilgrim's Rome and the Appian Way on Saturday, and as a grand finale, the sites of Ancient Rome on Sunday.
If I have one day and a night, would you recommend going to Assisi, Siena, or both?
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